Sam Sweeney - The Unfinished Violin

Violin music inspired by a truly incredible story…

as seen on BBC Breakfast & Antiques Roadshow

 

UK Release: 1 November 2018

 

UK Tour Dates May 1-10 2019 & Festivals

 

“Playing that over Richard Howard’s grave was incredibly emotional,” says Sam. “We were all just stood there, sobbing. He was unknown, no one knew anything about him, no one would ever have visited his grave, ever, and all of a sudden, there I was, playing his fiddle to him. Loads of people have now visited Richard’s grave and are regularly laying flowers there. It’s amazing to be a part of this instrument’s life.

 

Let the story unfold…

 

A veteran of the mighty Bellowhead’s domination of British folk for ten years, Artistic Director of the National Youth Folk Ensemble, founder member of the acclaimed instrumental trio Leveret, and a superb instrumentalist at the forefront of the revival in English traditional music, Sam Sweeney has signed with Island Records to release his first solo album, The Unfinished Violin, an expansion and development of his acclaimed live show, Sam Sweeney’s Fiddle: Made In The Great War, which toured to great acclaim from 2014 to 2017.

The show centred on a fiddle the 19-year-old Sweeney came across in violin maker Roger Claridge’s shop in Oxford, made but not assembled by one Richard S Howard of Harehills, Leeds, in 1915. Claridge had come by it at auction, in pieces, in an old manila envelope, and put it together and put it on sale. It’s the instrument Sweeney has used for numerous albums and countless gigs, and in time he set about digging into its history, and uncovered the fateful tale of Richard Howard, a music hall performer called up in 1916 to the Duke of Wellington’s West Riding Regiment to fight and lose his life in the Battle of Messines on 7th June 1917.

Last summer, Sam visited the battlefield. “They had arranged a Richard Howard walk, and we visited loads of important sites connected with the Battle of Messines. There were about 100 people with us and we ended up at his grave. His granddaughter read a poem, I played the fiddle, and a bugle player played The Last Post.” The tune he played, from Howard’s regiment, was the beautifully mournful The Wellesley, which is also one of the outstanding 16 tracks on The Unfinished Violin. The Wellesley, with its swelling melodies and stately rhythm was the march Richard Howard himself would have heard as a recruit to the Duke of Wellington's regiment. “Playing that over Richard Howard’s grave was incredibly emotional,” says Sam. “We were all just stood there, sobbing. He was unknown, no one knew anything about him, no one would ever have visited his grave, ever, and all of a sudden, there I was, playing his fiddle to him. Loads of people have now visited Richard’s grave and are regularly laying flowers there. It’s amazing to be a part of this instrument’s life."

Since joining Bellowhead as a teenager, Sam rapidly established himself as one of the great instrumentalists in contemporary folk. The Bellowhead call came just as he was starting at university. “I did the folk degree for just 17 days,” he says. “ I knew that all I wanted to do was play the fiddle for a living and I knew I didn’t really want to go to university, and then I got offered my first Bellowhead tour, which was during Freshers’ Week, and I was told I wasn’t allowed to go, so I ignored them and went anyway.” He laughs. “And then I left the university 17 days later and joined Bellowhead full time.”

Alongside Bellowhead duties, he’s also released two fine albums with Hannah James, appeared on albums and stages with the likes of Eliza Carthy, Martin Carthy, Jon Boden, Fay Hield and Sam Carter, been a part of the acclaimed Full English project, won the 2015 BBC Radio 2 Folk Award for Musician of the Year, and since 2014 has toured and recorded with Rob Harbron and Andy Cutting as Leveret.

Rob Harbron, along with guitarist Jack Rutter, pianist Becky Price, double bassist Ben Nicholls and a brass and string section, appear with Sam on The Unfinished Violin. It’s apt that the last recording sessions were at erstwhile Island stablemates Fairport Convention’s studio in Oxfordshire, underlining the label’s rich history in supporting British folk. Sam signed to the label following an appearance on Radio Four, to talk about Made In The Great War. Island Records subsequently invited Sam to create an album of the kind of music Richard Howard’s violin would have played had it been assembled at the time of its making. “I said, give me a few days to think about it, because I really didn’t want to create a jingoistic, patriotic album,” he says, “but after some research, it was very clear that there would be loads of great tunes, and great stories.”

 

UK Tour - May 2019

 

1 - Theatre Mwldan, Cardigan

2 - The Met, Bury

3 - The Stables, Wavendon, Milton Keynes

4 - Sage Gateshead, Gateshead

5 - Derby Theatre, Derby

6 - National Centre for Early Music - York

7 - North Wall Arts Centre - Oxford

8 - All Saints Church - Brighton Festival

9 - Philharmonic Hall - Liverpool

10 - Wiltshire Music Centre - Bradford-on-Avon

21 - Ruskin Mill, Nailsworth, Gloucestershire

 

UK Festivals 2019

 

August 1 - Cambridge Folk Festival

August 5 - Sidmouth Folk Festival

September 1 - Lyme Regis Folk Festival

 

Press Quotes for The Unfinished Violin

 

“The fiddler with the Midas touch… an English equivalent of the great Irish fiddle player Martin Hayes.” The Guardian

“Sweeney’s playing is unearthly at times: the singular focus of this set and the level of its performance makes this an outstanding and deeply moving experience *****” - Songlines

"No jingoistic, flag-waving Last Night Of The Proms triumphalism here…this is sensitive, fragile, emotive and extremely beautiful. An impressive work." - fRoots

"One hell of an album from one hell of a fiddler *****" - RNR

"It’s the finest, most moving tribute I’ve yet heard paid to the life of an individual solider." Verity Sharp, BBC Radio 3

"...this album is vital and powerful, and simply gorgeous. It should rightfully be considered one of the best folk albums of 2018. It’s context and story, however, suggests that it has a good chance of being considered one of the most important too." Folk Radio UK

www.samsweeneymusic.com

 

2019 Regional Tour Promotion James H Soars Media Services

James@jameshsoars.com max@jameshsoars.com

T 01536 720245 / M 07758 781032

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